Lyrics to song playing during video!
As the video points out their is a fusion of three religions (Interesting1 Right?). I found this point so interesting and was able to couple the ideas presented (about the sharing of prophets, etc) with those throughout Rosenthal's chapter. Here are some thoughts about the chapter, which I believe to be more accessible after having seen the video, especially as I juxtaposed the views of the religion with those who may be trying to break free from the religion (not uncommon among young people from religious homes).
As I began to read Donna Rosenthal’s chapter on “The Druze” it baffled me that she would begin her discussion of them the way she does in the book. Two important factors of Druze life stood out to me (from only one paragraph), and only did I realize the significance when I read the second. The first is the fact that she describes where they live as a “postcard-pretty village in the Upper Galilee” (292). The preservation of this beautiful land and their abilities and efforts to preserve it (and thus their culture) is quite notable. The second is that they are willing to sacrifice their lives for their country. Now, there are clearly many groups of people in Israel with the same convictions of pride for the country and that is appreciated. What sets the Druze apart (and the part for me that is troublesome) is that according to Rosenthal,
the nine thousand Druze residents of Beit Jann have lost a higher proportion of their soldier-sons than any other place in Israel…[they are] famous for their fearlessness in the face of death. They believe in the immortality of every Druze soul, that they are brief sojourners in the world. (292)
The fact that they are able to fuse a predominant factor of Israeli society with a Muslim-like tradition, and stand tall (and proud) in the face of it all is incredibly admirable; one being, pride for one's country and two being, focus on what comes next in life. What’s more, they are not worried because, coupled with their immense pride, is a deeply rooted knowledge that their sons will be back soon enough.

So, I read on and could not for the life of me figure out why Donna Rosenthal would begin the chapter this way. In one paragraph she has marginalized the Druze people into a category for me. This is not to say the category is negative, but here they sat in a box for me. She discusses their theories of reincarnation and passionate loyalties to the countries in which they live (and they span a few different countries). She discusses the mysterious nature of the religion and its separation from Islam in the eleventh century. She even discusses those who want to break from the religion today because of their desire to live in contemporary society and to experience the wonders of the technological era. So the themes I saw throughout were controversy, mystery, and confusion, but I kept reading.
Where I find (in general) Rosenthal’s arguments to be particularly intriguing are in her direct interactions with the people of the land, the people who she gets to know and who are the subjects of her studies. Rosenthal knows that by giving readers these people, the people living in Israel serve as a key to understanding the larger context for how they ended up in the country, and what they are doing there daily. And with the chapter on the Druze, this was no different. In my reading, I met seventeen-year-old Salwa. A Druze female who, simply seems to be having a hard time being “modern” and facing her religion daily. And here is where I seemed to grasp a commonality between Rosenthal’s representations of Druze and other groups of people living in Israel. It seems that the vast diversity of the country can be a link to what brings people together. There is a clear cut struggle here for asserting independence and trying to get by when that independence is achieved. Is that not the same ideal which built the country?

Where Rosenthal garners sympathy for the Druze is in their marginality. The same marginality I was confused about when I began the reading. She seems to use this idea here to show the Druze’s minority status in the country and to show some of their desires to be mainstreamed. Rosenthal says, “Right now, [Salwa’s] thinking about Brad Pitt, searching for a spot on her bedroom wall to tape up another poster of the movie star” (299). With that though comes the sympathy for understanding their culture. They are also diverse and have their own struggles within, but aren’t we all? It seems like an incredibly beautiful culture filled with “colorful weavings and wicker baskets made by local Druze women” (Rosenthal 293). I am thankful that Rosenthal chose to highlight the multifaceted and diverse culture of the Druze here in this way.